La escena dram\u00e1tica en el\u00a0principal balneario argentino del\u00a0siglo XX siempre presentar\u00e1 dos\u00a0escenarios: el teatro de los\u00a0visitantes de temporada\u00a0veraniega y el que crean los\u00a0marplatenses, y no s\u00f3lo durante\u00a0el invierno. Am\u00e9n del est\u00edmulo\u00a0externo de las compa\u00f1\u00edas\u00a0porte\u00f1as, los nativos supieron\u00a0desarrollar desde temprano\u00a0inquietudes teatrales: los cuadros\u00a0filodram\u00e1ticos del barrio de la\u00a0incipiente clase media desde\u00a01940, el auge de la radionovela\u00a0en los a\u00f1os 50 y el comienzo del\u00a0teatro independiente a fines de\u00a0esa d\u00e9cada, son analizados en\u00a0Un escenario en la playa.\u00a0Po\u00e9ticas de conjunto, repertorios,
\nformaci\u00f3n de los elencos,\u00a0instrucci\u00f3n de los directores y\u00a0fundaci\u00f3n de los primeros centros\u00a0culturales de la ciudad, desfilan\u00a0en estas p\u00e1ginas.<\/p>\n","protected":false},"excerpt":{"rendered":"
La escena dram\u00e1tica en el\u00a0principal balneario argentino del\u00a0siglo XX siempre presentar\u00e1 dos\u00a0escenarios: el teatro de los\u00a0visitantes de temporada\u00a0veraniega y el que crean los\u00a0marplatenses, y no s\u00f3lo durante\u00a0el invierno. Am\u00e9n del est\u00edmulo\u00a0externo de las compa\u00f1\u00edas\u00a0porte\u00f1as, los nativos supieron\u00a0desarrollar desde temprano\u00a0inquietudes teatrales: los cuadros\u00a0filodram\u00e1ticos del barrio de la\u00a0incipiente clase media desde\u00a01940, el auge de la radionovela\u00a0en los 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