{"id":399,"date":"2018-06-22T17:41:58","date_gmt":"2018-06-22T20:41:58","guid":{"rendered":"http:\/\/biblio1.mdp.edu.ar\/centro-ventas\/?post_type=product&p=399"},"modified":"2022-10-04T16:08:27","modified_gmt":"2022-10-04T19:08:27","slug":"arquitecturas-del-desierto","status":"publish","type":"product","link":"https:\/\/biblio1.mdp.edu.ar\/centro-ventas\/producto\/arquitecturas-del-desierto\/","title":{"rendered":"132 – Arquitecturas del desierto"},"content":{"rendered":"
REVISTA 132 – \u00cdNDICE Y CONTENIDOS<\/strong><\/span><\/div>\n
\n
\n
\n

4\u00a0 Habitar lo inhabitable<\/p>\n

6\u00a0 Recortes en el cielo
\n<\/span>Casa Mirador (Chile)
\n<\/span>Matias Zegers<\/span><\/p>\n

12\u00a0 Enterrado en luz
\n<\/span>Casa Pachacamac (Per\u00fa)
\n<\/span>Longhi arquitectos<\/span>
\n<\/span><\/p>\n

18\u00a0 C\u00fabico compacto
\n<\/span>Casa Tunquen (Chile)
\n<\/span>Christian Beals V.<\/span><\/p>\n

24\u00a0\u00a0\u00a0\u00a0 Dejar entrar el desierto
\n<\/span>The Desert House (Estados Unidos)
\n<\/span>Por Marmol Radziner<\/span><\/p>\n

28 La frontera entre lo salvaje y lo dom\u00e9stico
\n<\/span>Outpost (Estados Unidos)
\n<\/span>Olson Kundig Architects<\/span><\/p>\n

32 Un Concierto de Maderas
\n<\/span>Outside-In House (Estados Unidos)
\n<\/span>Lori Ryker y Brett Nave<\/span>
\n<\/span><\/p>\n

36 Plan Maestro del Oasis Cultural de Al Ain
\n<\/span>Machado and Silvetti Associates<\/span>
\n<\/span><\/p>\n

44 Arraigo ancestral
\n<\/span>Museo Cao (Per\u00fa)
\n<\/span>Claudia Uccelli<\/span><\/p>\n

50 Factores ambientales
\n<\/span>Bodega Atamisque \/ Capilla de la Gratitud (Argentina)
\n<\/span>Eliana B\u00f3rmida y Mario Yanz\u00f3n, arqs.<\/span><\/p>\n

58 Comp\u00e1s topogr\u00e1fico
\n<\/span>Museo del desierto de Atacama (Chile)
\n<\/span>Coz, Polidura y Volante Arquitectos<\/span><\/p>\n

62 El alma del desierto
\n<\/span>Viaje de exploraci\u00f3n al Observatorio Astron\u00f3mico A.L.M.A.
\n<\/span>Por Jorge Hampton<\/span><\/p>\n

68 En el extremo del planeta
\n<\/span>Traves\u00eda Ra\u00edz Dise\u00f1o por el desierto chileno
\n<\/span>Por Laura Novik y Alex Blanch<\/span><\/p>\n

72 Hasta el fin del mundo
\n<\/span>Por Rodrigo Kommers Wender<\/span><\/p>\n

74 Est\u00fadio 41
\n<\/span>Comandante Ferraz (Brasil)<\/span><\/p>\n

78 Hugh Broughton Architects
\n<\/span>Halley VI (Reino Unido)<\/span><\/p>\n

84 International Polar Foundation (IPF)
\nP<\/span>rincess Elisabeth Antarctica (B\u00e9lgica)<\/span>
\n<\/span><\/p>\n

88 Bof Architekten
\n<\/span>Bharati (India)<\/span><\/p>\n

92 Transparencias y reflejos
\n<\/span>Museo Del Louvre-Lens
\n<\/span>Por Alejandro Lapunzina
\n<\/span>Kazuyo Sejima + Ryue Nishizawa \/ SANAA
\n<\/span><\/p>\n

106 Alfonso Corona Mart\u00ednez
\n<\/span>Por Fernando Diez<\/span>
\n<\/span><\/p>\n

108 Adi\u00f3s Alfonso
\n<\/span>Por Juan Molina y Vedia<\/span><\/p>\n

110 EXHIBICIONES
\n<\/span>Proyectos de la Buena Memoria Yuc\u00fan o Habitar el desierto<\/span><\/p>\n

113 NOTICIAS<\/span><\/p>\n

116 LECTURAS
\n<\/span>Con su p\u00e1lida aridez
\n<\/span>Por Jazm\u00edn Moreno Alvariza<\/span><\/p>\n

117 LECTURAS
\n<\/span>Heredar el oasis
\n<\/span>Por Paula De Falco<\/span><\/p>\n

118 APARICIONES
\n<\/span>S\u00faper-habitabilidad del desierto
\n<\/span>Por Mercedes Peralta<\/span><\/p>\n

120 DISQUISICIONES
\n<\/span>Para una historia del Dise\u00f1o Gr\u00e1fico
\n<\/span>Por Rafael E.J. Iglesia<\/span><\/p>\n

122 INSINUACIONES
\n<\/span>K\u00d8BHV\u2022BCN\u20228HUS\u2022MZN\u2022BIG\u2022CRDA
\n<\/span>Por Ruth Verde Zein<\/span><\/p>\n

124 CUADERNO DE VIAJES
\n<\/span>Punta Ballena en papel
\n<\/span>Texto y Dibujo por Ignacio Ros De Olano<\/span><\/p>\n

125 TEXTURAS
\n<\/span>Locuras & Caprichos
\n<\/span>Por Roberto Fern\u00e1ndez<\/span><\/p>\n

126 REVELACIONES
\n<\/span>Bouvard y P\u00e9cuchet
\n<\/span>Por Mario Sabugo<\/span><\/p>\n

128 POST SCRIPTUM
\n<\/span>R\u00edo boom
\n<\/span>Por Ana Luiza Nobre<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

ISBN 0327-9022<\/p>\n","protected":false},"featured_media":400,"template":"","meta":{"_acf_changed":false,"_eb_attr":"","_crdt_document":"","_uag_custom_page_level_css":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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