\u00abNunca voy a entender por qu\u00e9 despu\u00e9s de tantas idas y vueltas, de m\u00e1s de un mes de tratar el tema, de algunas noches de hablar hasta la madrugada y de cruzar llamadas telef\u00f3nicas a horarios ins\u00f3litos del d\u00eda, una ma\u00f1ana, sin hacer un gesto para demostrar qu\u00e9 se la pasaba por la cabeza, as\u00ed nom\u00e1s, sin decir nada, a Roxana se le ocurri\u00f3 levantar sus cosas e irse con los chicos a la casa de la hermana.\u00bb
\nComo a los escritores minimalistas, a Sergio Gaiteri le basta con un pu\u00f1ado de personajes m\u00e1s o menos grises para contar una historia sugestiva, para hablarnos de algo que podr\u00eda pasarnos a cualquiera de nosotros sin que, por incapacidad o distracci\u00f3n, lleguemos a percibir su valor literario. Escrita en primera persona, La moza es un texto en el que el narrador se entrega a un prop\u00f3sito vano: entender una situaci\u00f3n incomprensible. Y aunque desde el comienzo es plenamente consciente de esta imposibilidad, a\u00fan as\u00ed decide indagar sobre su situaci\u00f3n y la de su familia, interesado en los m\u00faltiples sentidos que despliega la escritura, y en el alcance de las palabras para enfrentar nuestra rutina.
\nHern\u00e1n Arias<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00abNunca voy a entender por qu\u00e9 despu\u00e9s de tantas idas y vueltas, de m\u00e1s de un mes de tratar el tema, de algunas noches de hablar hasta la madrugada y de cruzar llamadas telef\u00f3nicas a horarios ins\u00f3litos del d\u00eda, una ma\u00f1ana, sin hacer un gesto para demostrar qu\u00e9 se la pasaba por la cabeza, as\u00ed 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