Este libro pretende dar luz a los an\u00e1lisis sobre la prensa en relaci\u00f3n con los fen\u00f3menos musicales de la Argentina contempor\u00e1nea. Pivotea en la construcci\u00f3n del mundo discursivo y simb\u00f3lico de los medios de comunicaci\u00f3n en referencia a la historia de la banda Patricio Rey y sus Redonditos de Ricota. En la indagaci\u00f3n se puede observar una serie de momentos que muestran al grupo en un pasaje que va desde los Redondos \u201cunder\u201d de los a\u00f1os 1980 a los Redondos \u201cconflictivos\u201d y la \u00e9poca de \u201clos v\u00e1ndalos de los a\u00f1os 1990\u201d. Un ej\u00e9rcito de t\u00e9rminos peyorativos coloca al grupo liderado por el Indio Solari en un \u201cgueto\u201d de conflictividad social y discriminaci\u00f3n dif\u00edcil de salir.<\/p>\n
Para entender eso, se transita en la transformaci\u00f3n del p\u00fablico ricotero con relaci\u00f3n a su masificaci\u00f3n, teniendo en cuenta los cambios estructurales de la sociedad argentina de fin de siglo. El autor analiza las particularidades de los fans en cuanto a sus v\u00ednculos con la cultura, la sociedad, el poder policial y la prensa. Esta es una historia no solo de la narraci\u00f3n medi\u00e1tica de la banda sino de una imagen de un poder englobador llamado \u201cmisa\u201d. Demonizaci\u00f3n, violencia, discurso, estado, juventudes marginales y rock-futbol-hinchadas, funcionan en esta obra como los hilos conductores de una cadena de significantes articulada como una gran m\u00e1quina social contempor\u00e1nea.<\/p>\n","protected":false},"excerpt":{"rendered":"
Este libro pretende dar luz a los an\u00e1lisis sobre la prensa en relaci\u00f3n con los fen\u00f3menos musicales de la Argentina contempor\u00e1nea. Pivotea en la construcci\u00f3n del mundo discursivo y simb\u00f3lico de los medios de comunicaci\u00f3n en referencia a la historia de la banda Patricio Rey y sus Redonditos de Ricota. En la indagaci\u00f3n se puede 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