Lo he dicho varias veces y, especialmente, a partir de la reflexi\u00f3n sobre la escritura de Walsh: hablar de la desaparici\u00f3n del autor, aunque sea en t\u00e9rminos te\u00f3ricos, en este caso resulta hacerse c\u00f3mplice de la dictadura. Reflexi\u00f3n que mantengo, incluso al pensar otras escrituras de autores argentinos puesto que sospecho, se trata de una categor\u00eda cr\u00edtica apropiada acr\u00edticamente, valga la paradoja, por el sistema acad\u00e9mico y que descontextualizada, no se ha confrontado con perspectivas y coyuntura propias. Sin extenderme en este punto, problema que podr\u00eda ser tratado en otra publicaci\u00f3n, digo que la producci\u00f3n de Rodolfo Walsh fue puesta en la misma coordenada de disecciones que la moda te\u00f3rica iba dictando al tiempo que tambi\u00e9n se pon\u00edan de moda los libros testimoniales escritos por periodistas, en la mayor\u00eda de los casos, devenidos escritores con m\u00e1s o menos suerte.<\/p>\n
Adriana A. Bocchino<\/p>\n","protected":false},"excerpt":{"rendered":"
Lo he dicho varias veces y, especialmente, a partir de la reflexi\u00f3n sobre la escritura de Walsh: hablar de la desaparici\u00f3n del autor, aunque sea en t\u00e9rminos te\u00f3ricos, en este caso resulta hacerse c\u00f3mplice de la dictadura. Reflexi\u00f3n que mantengo, incluso al pensar otras escrituras de autores argentinos puesto que sospecho, se trata de una 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