Pocos meses antes de ser detenido, el periodista desaparecido Enrique Raab busc\u00f3 realizar una secreta proyecci\u00f3n de La tierra tiembla, segunda pel\u00edcula de Luchino Visconti y obra fundamental del neorrealismo italiano. El evento nunca se realiz\u00f3, y constituy\u00f3 un proyecto inconcluso acerca de otro: tampoco Visconti hab\u00eda logrado concretar una obra f\u00edlmica de la cual La tierra tiembla no era m\u00e1s que la primera parte. En la pel\u00edcula, el humilde pescador siciliano `Ntoni Valastro busca liberarse de la explotaci\u00f3n a la que \u00e9l y sus compa\u00f1eros se encuentran sometidos por parte de un grupo de revendedores de pescado. Aislado y golpeado por el destino, tambi\u00e9n `Ntoni fracasa. En estos tres hombres (el personaje de ficci\u00f3n que descubre para siempre qui\u00e9n es, el realizador italiano que acabar\u00eda siendo un referente fundamental del cine y el periodista cuya recuperada obra constituye hoy un ejemplo de compromiso y maestr\u00eda) se dibuja el contorno del \u00abvencido vencedor\u00bb del que hablara el cr\u00edtico italiano Guido Aristarco y, a trav\u00e9s de sus palabras, el gran Gy\u00f6rgy Luk\u00e1cs.<\/p>\n","protected":false},"excerpt":{"rendered":"
Pocos meses antes de ser detenido, el periodista desaparecido Enrique Raab busc\u00f3 realizar una secreta proyecci\u00f3n de La tierra tiembla, segunda pel\u00edcula de Luchino Visconti y obra fundamental del neorrealismo italiano. El evento nunca se realiz\u00f3, y constituy\u00f3 un proyecto inconcluso acerca de otro: tampoco Visconti hab\u00eda logrado concretar una obra f\u00edlmica de la cual 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