{"id":1769,"date":"2019-09-02T17:59:03","date_gmt":"2019-09-02T20:59:03","guid":{"rendered":"http:\/\/biblio1.mdp.edu.ar\/centro-ventas\/?post_type=product&p=1769"},"modified":"2025-12-03T13:41:32","modified_gmt":"2025-12-03T16:41:32","slug":"169-reciclajes-y-ampliaciones","status":"publish","type":"product","link":"https:\/\/biblio1.mdp.edu.ar\/centro-ventas\/producto\/169-reciclajes-y-ampliaciones\/","title":{"rendered":"169 – Reciclajes y ampliaciones"},"content":{"rendered":"
\n
\n
\u00cdNDICE Y CONTENIDOS<\/div>\n
\n
\n
\n
\n
1 –\u00a0EDITORIAL<\/div>\n
NO TODO LO NUEVO ES NUEVO<\/div>\n
Por FERNANDO DIEZ<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
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2 –\u00a0\u200a\u00cdNDICE<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
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4 –\u00a0CARTELERA<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
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8-\u00a0PROPIEDADES TRANSITIVAS<\/div>\n
Por GUSTAVO ALONSO SERAFIN<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
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10-\u00a0BRILLANDO EN EL VAC\u00cdO<\/div>\n
ZEITZ MOCAA (MUSEUM OF CONTEMPORARY ART AFRICA)<\/div>\n
\n

HEATHERWICK STUDIO<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
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20-\u00a0FACULTAD DE ARTE Y ARQUITECTURA UNIVERSIDAD DE \u00c9VORA<\/div>\n
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IN\u00c9S LOBO ARQUITECTOS<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
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28 –\u00a0IL FONDACO DEI TEDESCHI<\/div>\n
OMA<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
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40 –\u00a0NUEVA ESCALA PARA VIEJOS EDIFICIOS
\nPor FERNANDO DIEZ<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
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42 -EDIFICIO CORPORATIVO DEL BANCO DE C\u00d3RDOBA<\/div>\n
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Estudio Aisenson<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
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52-\u00a0EDIFICIO CHILE Y PASEO COL\u00d3N<\/div>\n
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Le Monnier, Preiti, Zanada Arquitectos + Berdichevsky y Asociados<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
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64 –\u00a0RECICLAJE Y PATRIMONIO<\/div>\n
Por MART\u00cdN DI PECO<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
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66-\u00a0AUDITORIO DEL COLEGIO DE ABOGADOS Y PROCURADORES DEL DEPARTAMENTO JUDICIAL DE BAH\u00cdA BLANCA<\/div>\n
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GRHOUND OFFICE<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
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72 –\u00a0LA LINDA BAKERY CARRASCO<\/div>\n
Pedro Livni<\/span><\/div>\n<\/div>\n<\/div>\n
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<\/div>\n
76 –\u00a0PASEO DE LA BRECHA<\/div>\n
Frazzi Arquitectos<\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
<\/div>\n
82 \u00a0–\u00a0PASAJE BELGRANO
\nAna Mar\u00eda Carrio<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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\n
\n
<\/div>\n
88 –\u00a0M\u00c1S ES M\u00c1S<\/div>\n
Por MAGDALENA TAGLIABUE<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
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90 –\u00a0\u200aVIVIENDA MULTIFAMILIAR SM<\/div>\n
Barrionuevo Villanueva Arquitectos\u00a0<\/span><\/div>\n
<\/div>\n<\/div>\n<\/div>\n
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96 –\u00a0CASA SILVINA Y OMAR<\/div>\n
iR ARQUITECTURA<\/span><\/div>\n<\/div>\n<\/div>\n
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<\/div>\n
102 –\u00a0CASA TACUAR\u00cd<\/div>\n
MOarqs<\/span><\/div>\n<\/div>\n<\/div>\n
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<\/div>\n
108 –\u00a0TOM\u00c1S MALDONADO Y LA ARQUITECTURA COMO DISE\u00d1O AMBIENTAL<\/div>\n
Por JOAQU\u00cdN MEDINA WARMBURG<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
116 –\u00a0UNA BIENAL DE SITUACIONES<\/div>\n
INFORME DE LA BIA AR 2018<\/div>\n
Por MAGDALENA TAGLIABUE Y GUSTAVO ALONSO SERAF\u00cdN<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
120 –\u00a0PREMIO MCHAP 2018<\/div>\n
LA TERCERA ES LA VENCIDA<\/div>\n
Por FERNANDO DIEZ<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
122 –\u00a0CONGRESOS<\/div>\n
LA CIUDAD QUE QUEREMOS<\/div>\n
Por LUCILA SALVO Y MAGDALENA TAGLIABUE<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
124 –\u00a0EXPOSICIONES<\/div>\n
JUNYA ISHIGAMI EN LA FUNDACI\u00d3N CARTIER DE PAR\u00cdS: FREEING ARCHITECTURE<\/div>\n
Por MAGDALENA TAGLIABUE<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
126 –\u00a0TEXTURAS<\/div>\n
EL BOSQUE HIP\u00d3STILO<\/div>\n
Por ROBERTO FERN\u00c1NDEZ<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
\n
127 –\u00a0LECTURAS<\/div>\n

\n128 –\u00a0<\/span>CUADERNO DE VIAJES<\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
SAN SEBASTI\u00c1N, DONOSTIA, EN EL PAPEL<\/div>\n
\n

Texto y dibujo por Ignacio Ros de Olano<\/p>\n<\/div>\n<\/div>\n<\/div>\n

\n
\n
129 -REVELACIONES<\/div>\n
SANTA SOF\u00cdA<\/div>\n
Por RITA MOLINOS Y MARIO SABUGO<\/div>\n
<\/div>\n<\/div>\n<\/div>\n
\n
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130-\u00a0NOTICIAS<\/div>\n
<\/div>\n
131 -POST SCRIPTUM<\/span><\/div>\n<\/div>\n<\/div>\n
\n
\n
EL ETERNO REBELDE – ROBERT VENTURI (1926-2018)<\/div>\n
Por PABLO MENINATO<\/div>\n
\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00cdNDICE Y CONTENIDOS 1 –\u00a0EDITORIAL NO TODO LO NUEVO ES NUEVO Por FERNANDO DIEZ 2 –\u00a0\u200a\u00cdNDICE 4 –\u00a0CARTELERA 8-\u00a0PROPIEDADES TRANSITIVAS Por GUSTAVO ALONSO SERAFIN 10-\u00a0BRILLANDO EN EL VAC\u00cdO ZEITZ MOCAA (MUSEUM OF CONTEMPORARY ART AFRICA) HEATHERWICK STUDIO 20-\u00a0FACULTAD DE ARTE Y ARQUITECTURA UNIVERSIDAD DE \u00c9VORA IN\u00c9S LOBO ARQUITECTOS 28 –\u00a0IL FONDACO DEI TEDESCHI OMA 40 […]<\/p>\n","protected":false},"featured_media":1788,"template":"","meta":{"_acf_changed":false,"_eb_attr":"","_crdt_document":"","_uag_custom_page_level_css":"","_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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